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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileafter Hendrick Goltzius
On the left, the goddess Diana gestures toward Callisto, whose pregnancy is revealed as she is forcibly undressed by other nymphs. The scene is set in a dense forest landscape filled with hunting dogs, bows, and quivers, reflecting the nymphs' role as huntresses. The figures display the elongated limbs and muscular elegance characteristic of the Haarlem Mannerist style.
This print illustrates a scene from Ovid's Metamorphoses, a central text for Renaissance Neoplatonism and the study of divine allegories. Produced under a privilege from Rudolf II, it reflects the intellectual atmosphere of the late 16th century, where mythological narratives were used to explore themes of purity, transformation, and the harsh consequences of divine intervention.
HGoltzius invent. Saenredam sculp. Visscher excudit Cum privil. Sa. Cae. M. 1599 Dum detrectanti tegmen vestis ademptū est, Celatum in nudo depre[n]sum est corpore crimen. Cornelius Schonaeus.
Translation
H. Goltzius invent. Saenredam sculp. Visscher excudit With the privilege of His Sacred Imperial Majesty. 1599 While the garment was taken away from the refuser as a covering, The crime hidden in the naked body was discovered. Cornelius Schonaeus.
Ovid, Metamorphoses
The primary literary source for the story of Diana and Callisto, found in Book II.
Object
Rijksmuseum, Amsterdam
Engraving
mythological
Digital Source
Wikimedia Commons · CC0
http://hdl.handle.net/10934/RM0001.COLLECT.506935
Creative Commons Zero, Public Domain Dedication
6892 × 4896 px
98de73f5aa1ab01112710d35cfde6bc402cda095
December 1, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.