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Wikimedia Commons · CC BY-SA 4.0 · Hover to magnify, click for fullscreen
Original fileThe Virgin Mary sits holding the Christ child while a kneeling elder king offers a bowl of gold coins. Behind them, the other two Magi stand holding elaborate ornamental vessels, accompanied by a crowd of onlookers and Joseph. The scene is set within a crumbling classical ruin that symbolizes the transition from the old pagan world to the new era, with a distant city visible through the archway.
This engraving is part of Goltzius's 'Meisterstiche' series, where he demonstrated his 'Protean' ability to masterfully imitate the styles of earlier masters—in this case, Lucas van Leyden. Within the Western esoteric tradition, the Magi were often interpreted as practitioners of the 'prisca theologia' or ancient wisdom, representing the alignment of astrology and Eastern philosophy with the Christian revelation.
HG 1593
Marsilio Ficino
Ficino’s Neoplatonism often reconciled the Magi of the East as predecessors to Christian truth, embodying the 'magia christiana' that Goltzius's era inherited.
Lucas van Leyden
Goltzius specifically designed this plate to imitate the engraving style and compositional approach of this earlier Northern master.
Object
Engraving
religious
Digital Source
Wikimedia Commons · CC BY-SA 4.0
Own work
Creative Commons Attribution-Share Alike 4.0
1503 × 1988 px
e1bac8457106b6fa8c1e825533c3f6fdd3953570
August 25, 2023
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.