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Wikimedia Commons · CC BY-SA 4.0 · Hover to magnify, click for fullscreen
Original fileThe Virgin Mary is depicted in the 'Madonna of Humility' style, seated outdoors with the Christ Child on her lap. To the right, an infant John the Baptist holds a reed cross and reaches out to the baby, while a bearded Saint Joseph leans against a large, textured tree trunk in the center. Visual details include a cat peering from a stone window on the left, a vase of lilies in the foreground, and a distant mountain landscape.
Hendrick Goltzius was a central figure of the Haarlem Mannerists, a circle deeply influenced by Neoplatonic theories of art and the pursuit of 'disegno' as a reflection of divine order. This engraving exemplifies the sophisticated technical style of the Haarlem Academy, which sought to reconcile naturalistic observation with idealized, classically-inspired forms.
HG [monogram] 1593. PRÆCVRSOR DOMINI LACTANTIS AB VBERE MATRIS, BLANDITVR PVERO PVER, ET COLLVDIT AMICE, QVEM PRÆCOGNOVIT SALIENS VTERO ABDITVS, HVNC ET INDICE MONSTRAVIT DIGITO CRESCENTIBVS ANNIS.
Translation
HG [monogram] 1593. THE PRECURSOR OF THE LORD, NURSING FROM HIS MOTHER'S BREAST, THE BOY CARESSES THE BOY, AND PLAYS IN A FRIENDLY MANNER, WHOM, HIDDEN IN THE WOMB, HE LEAPING HAD FOREKNOWN, THIS SAME ONE HE POINTED OUT WITH HIS FINGER AS THE YEARS INCREASED.
Karel van Mander
Van Mander was a close associate of Goltzius and his 'Schilder-boeck' provides the theoretical and philosophical framework for the Haarlem Mannerist circle.
Object
Engraving
religious
Digital Source
Wikimedia Commons · CC BY-SA 4.0
Own work
Creative Commons Attribution-Share Alike 4.0
1484 × 1981 px
9866022eb1520ecffdb2b4913d970a9239ee6d95
August 25, 2023
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.