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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThe Muse is shown in profile, dressed in heavy classical drapery, focusing intently on a slender transverse flute. At her feet lie two bound books and a trumpet or shawm, while a rugged, shaded rock formation rises behind her. The composition uses intricate cross-hatching to define the textures of the fabric and the surrounding stone.
In Renaissance Neoplatonism, the Muses were viewed as the agents of divine inspiration (furor divinus), bridging the gap between the human intellect and celestial harmony. The inscription's mention of 'Mathemate clara' (famed for mathematics) reflects the Pythagorean and Platonic view of music as a branch of mathematical science and a reflection of the cosmic order.
HG. fecit. Euterpen calami, et genialis Tibia honestat, Et quo cantari consuerunt Pythia versu; Illa Aganippeos colles, saltusq peragrat, Concentu dulcis, doctoq Mathemate clara. FE.
Translation
H.G. made this. Euterpe honors [this] with her reed, and the festive flute, And with the verse in which the Pythian songs are wont to be sung; She traverses the Aganippean hills and woodland glades, Renowned for sweet harmony and learned mathematics. F.E.
Marsilio Ficino
Ficino's commentaries on Plato characterize the Muses as the sources of the four divine frenzies that elevate the soul toward the One.
Hesiod
Hesiod's Theogony provides the primary classical source for the names and roles of the nine Muses.
Object
Engraving
allegory
Digital Source
Wikimedia Commons · Public domain
Image: http://collections.lacma.org/sites/default/files/remote_images/piction/ma-31882231-O3.jpg Gallery: http://collections.lacma.org/node/202201 archive copy at the Wayback Machine
Public domain
1391 × 2100 px
16a53892fb385f46ae1f2a3eb451faa555810904
July 19, 2013
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.