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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileafter Hendrick Goltzius
This elongated engraving illustrates the tragic fate of Niobe, who boasted of her fourteen children to the goddess Latona. The sequence shows Apollo and Diana descending from the heavens with bows to slaughter Niobe's sons and daughters, culminating in the grief-stricken mother turning into a weeping stone. The figures are rendered with the muscular tension and dramatic poses characteristic of the Haarlem Mannerist style.
The myth of Niobe served as a powerful allegory for hubris (pride) and the inevitable divine retribution that follows the overestimation of human achievement. This print is dedicated to Federico Cesi, the founder of the Accademia dei Lincei, highlighting the connection between Mannerist art and the intellectual circles of the early scientific revolution and Neoplatonic thought.
Ill.mo et ex.mo Domino, Dno Frederico Cesi, Duci de Aquasparta, Henricus Goltzius Opus Hoc Polidori, Romae a se excerptum, typisq; mandatum, atq; in lucm editum, summa cum observantia D. D. [Panel 1] Arce gemellipara Titanide vaspide fulgens... [Panel 2] Plebis procerum simul sanctum advolantur ad aram... [Panel 3] Intumuit Niobe, stimulis lymphata furentis... [Panel 4] Sed vulgo cunctos fastu prepulsat ab aris... [Panel 5] Tanta ego, ait, turba natorum instructa meorum... [Panel 6] Qui fama magnus etiam ipsislibus Equus... [Panel 7] An Iove quis repetet, quod auos qua sidera fulcit... [Panel 8] Thura mihi Panchya, mihi mactate Iuvencos... [Panel 9] Felici sed cui inga mox petit ardua Cynthi... [Panel 10] Vrs Iove qui genis, memisq; accumbo Deorum... [Panel 11] Non tulit Aralemon; pharetraq; accincta Diana... [Panel 12] Vimque; Syppyleiq; cadunt, nil quadrupedantum... [Panel 13] Diriguit Niobe, septem planxere sorores... [Panel 14] Quin genitrix suam gremio complexa filiolam...
Translation
To the most illustrious and most excellent Lord, Lord Federico Cesi, Duke of Aquasparta, Hendrick Goltzius dedicates with the greatest respect this work of Polidoro, excerpted by him in Rome, committed to the press, and brought into the light. [Panel 1] Shining with the Titanian viper, the twin-bearing citadel... [Panel 2] At once the people and the nobles fly to the sacred altar... [Panel 3] Niobe swelled with pride, maddened by the goads of a raging spirit... [Panel 4] But with arrogance she drives everyone away from the altars... [Panel 5] "I am equipped," she says, "with such a great crowd of my children..." [Panel 6] Who is great in fame, even the horse itself... [Panel 7] Or who will claim from Jove that which supports the ancestors and the stars... [Panel 8] Offer Panchaean incense to me, sacrifice heifers to me... [Panel 9] But to him who is happy, soon she seeks the steep ridges of Cynthus... [Panel 10] For I, born of Jove, recline with the limbs of the gods... [Panel 11] Latona did not endure it; and Diana, girded with her quiver... [Panel 12] And they fall by the violence of Sipylus, not at all the four-footed... [Panel 13] Niobe grew rigid, seven sisters lamented... [Panel 14] Moreover, the mother, having embraced her little daughter in her bosom...
Ovid, Metamorphoses
The primary literary source for the narrative of Niobe's pride and her subsequent petrification.
Federico Cesi
The work is dedicated to Cesi, a key figure in natural philosophy and the study of the 'book of nature.'
Object
Rijksmuseum, Amsterdam
Engraving
mythological
Digital Source
Wikimedia Commons · CC0
http://hdl.handle.net/10934/RM0001.COLLECT.506839
Creative Commons Zero, Public Domain Dedication
56158 × 5054 px
f3806f717a11f78dd15a6ddfd9427d044ea33ae1
December 1, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.