This library is built in the open.
If you spot an error, have a suggestion, or just want to say hello — we’d love to hear from you.
Wikimedia Commons · CC0 1.0 · Hover to magnify, click for fullscreen
Original fileMary sits on the ground cradling the infant Jesus, who holds a cluster of cherries, while Joseph leans over a massive, gnarled tree trunk to observe them. A small ceramic bowl filled with cherries sits in the foreground near Mary’s feet. The print is notable for its intricate linework, particularly in the deep textures of the tree bark and the heavy folds of the drapery.
Hendrick Goltzius was the leading figure of the Haarlem Mannerists, a circle whose pursuit of technical perfection was often linked to the 'miracle of art' and the observation of nature as a divine script. The cherry in this context serves as a traditional symbol of the 'fruit of paradise' and the sweetness of the soul, themes central to late Renaissance devotional and philosophical thought.
HGoltzius Inuen. et sculp. Aº 89. Diua Dei genitrix, et cura fidelis Ioseph Omnia pascentem pascunt hortensibus escis. F. Estius.
Translation
H. Goltzius invented and engraved. In the year 89. The divine Mother of God, and Joseph, faithful guardian, Nourish with garden fare Him who nourishes all. F. Estius.
Franco Estius
The humanist poet who composed the Latin distich at the bottom, framing the religious scene within a philosophical paradox of the creator being fed by his creation.
Object
Rijksmuseum, Amsterdam
paper
height 256 mm x width 204 mm
religious
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.