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Wikimedia Commons · CC0 1.0 · Hover to magnify, click for fullscreen
Original fileA large figure of Saint Matthias stands in the foreground, holding a book and the axe that served as the instrument of his death. To the right, he is shown kneeling as a crowd stones him and an executioner raises a blade, set against a backdrop of Roman-style architecture and a statue of Mercury. The scene is characterized by the muscular, twisting poses of the figures and the detailed rendering of classical artifacts.
The inclusion of a detailed statue of Mercury with a caduceus serves as a visual foil to the Christian apostle, illustrating the tension between the 'prisca theologia' (ancient wisdom) and the Christian mission. It exemplifies how Mannerist artists used classical archaeology to provide historical context to sacred narratives while showcasing their knowledge of ancient symbols.
S. Matthias. Aux. 4. vents. M. de vos inve. Lectus Apostolicum in cetum dum forte Matthias, Postquam per patrias vere documenta salutis, 12. Federis atq; noui diuinus sparserat urbes, Vulnifica sua colla dedit ferienda securi.
Translation
S. Matthias. To the 4 winds. M. de Vos invenit. While Matthias, by chance, was chosen into the Apostolic band, After he had truly scattered the proofs of salvation 12. And of the new covenant throughout the cities of the fatherland, He offered his own neck to be struck by the wounding axe.
Maerten de Vos
The print is based on a design by de Vos, a key figure in bridging the gap between Flemish tradition and the classical motifs of the Italian Renaissance.
Object
Rijksmuseum, Amsterdam
paper
height 206 mm x width 278 mm
religious
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.