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Wikimedia Commons · CC0 1.0 · Hover to magnify, click for fullscreen
Original fileA large figure of Saint James stands in the foreground, holding a pilgrim's staff and a book, looking over his shoulder at his own execution. In the middle ground, King Herod Agrippa on horseback watches as an executioner raises a sword above the kneeling saint. The background features a fantasy landscape of Jerusalem with Romanesque and Renaissance architecture, including a large dome and a circular tower.
This work is an early example of Hendrick Goltzius's virtuosity as an engraver and his involvement in the Haarlem Mannerist circle. This movement combined high technical skill with humanist and religious themes, often designed for an elite audience of scholars and collectors interested in the intersection of art and theology.
S. Jacobus maior. Ipse redemptoris pandens oracula Christi, Quam late sese tellus extendit Ibera, 3. Tandem colla dedit gladio ferienda Jacobus, Cuius corpus adhuc pia Compostella tuetur. Aux 4 vents.
Translation
St. James the Greater. Himself spreading the oracles of Christ the Redeemer, As far as the Iberian land extends itself, 3. At last James gave his neck to be struck by the sword, Whose body pious Compostella still guards. To the 4 winds.
Object
Rijksmuseum, Amsterdam
copper (metal)
height 205 mm x width 278 mm
religious
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.