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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileafter Hendrick Goltzius
The engraving depicts Venus reclining in a lush, canopied setting flanked by the gods of wine and agriculture, whose presence provides the sustenance necessary for love to thrive. Winged putti hover above and below the central trio, carrying a cornucopia of fruit and offering clusters of grapes. The figures exhibit the muscular, elongated proportions and complex, twisting poses characteristic of the late Mannerist style.
Based on a line from Terence's comedy Eunuchus, this work explores the relationship between physical needs and human passions within the context of Renaissance natural philosophy. It reflects the intellectual interests of the Haarlem Mannerists, who used mythological allegory to illustrate the interconnectedness of the elemental appetites and the spirit.
HGoltzius Inuentor. Saenredam sculp. Aº. 1600. Cum privil. Sa. Cae. M. (Bacche nites, mea magna potentia Bacche, Tuqz Ceres; vestro quidvis ego numine possum C. Schoneus
Translation
H. Goltzius Inventor. Saenredam sculp. Aº. 1600. With the privilege of His Imperial Majesty. (O Bacchus, you shine, O Bacchus, my great power, And you, Ceres; through your divinity I can do anything. C. Schoneus)
Terence
Author of the Roman comedy Eunuchus, from which the proverb 'Sine Cerere et Baccho friget Venus' originates.
Cornelis Schonaeus
The Christian Terence and rector of the Haarlem Latin School who composed the Latin verses for this engraving.
Object
Engraving
mythological
Digital Source
Wikimedia Commons · Public domain
Dorotheum
Public domain
2891 × 3936 px
6c26a1546f38885725c49f1160281e6828769d8e
June 1, 2013
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.