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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileafter Hendrick Goltzius
In the foreground, a vengeful Juno stands over the fallen Callisto, seizing her by the hair and raising a fist to strike. To the left, Juno's chariot is attended by her symbolic peacocks, while in the background, a bear wanders through the landscape, signaling the nymph's impending metamorphosis. The scene is rendered with the dynamic tension and muscular anatomy characteristic of late 16th-century Dutch engraving.
This print belongs to a series illustrating Ovid's Metamorphoses, a text foundational to the Renaissance understanding of the mutable nature of physical forms and the origins of the celestial constellations. The myth of Callisto specifically explains the catasterism (transformation into stars) of Ursa Major, linking mythic narrative to early modern cosmological study.
Magna Iouis coniux mire indignata quod esset Fedare ethereos Parrhasis ausa thoros . Pellice prostrata, vulsisq. infesta capillis, Pulchra ea deformis iussit vt vrsa foret .
Translation
Great Jove’s wife, wondrously indignant that the Parrhasian girl Had dared to defile the ethereal marriage bed, Struck down the concubine, and, hair torn out in her fury, Commanded that the beautiful woman should become a deformed bear.
Ovid, Metamorphoses
The engraving is a direct illustration of Book II of Ovid's epic poem, which describes the transformation of Callisto into a bear and later into a constellation.
Object
National Gallery of Art, Washington
Engraving
mythological
Digital Source
Wikimedia Commons · CC0
This file was donated to Wikimedia Commons as part of a project by the National Gallery of Art. Please see the Gallery's Open Access Policy.
Creative Commons Zero, Public Domain Dedication
4000 × 2810 px
7e084c028fd54514960021e72d9b16f230188665
September 11, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.