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Wikimedia Commons · CC BY 4.0 · Hover to magnify, click for fullscreen
Original fileThe engraving shows the moment after Jupiter has carried Europa across the sea to Crete and resumed his human form to embrace her. In the foreground, an eagle representing the god clutches a bundle of thunderbolts, while a small scene in the distance depicts the bull swimming through the waves with Europa on his back. The figures are rendered with the highly muscular, elongated proportions characteristic of late 16th-century Dutch art.
This print is part of a series illustrating Ovid’s Metamorphoses, a text that served as a fundamental source for Renaissance Neoplatonic and Hermetic allegories regarding the soul's descent and transformation. Goltzius and his circle in Haarlem were central to the dissemination of these classical mysteries through the medium of high-quality engravings.
1. HGoltzius inuent. I. Matham sculp. Juppiter Europam vectam per cerula ponti / Destituit Tauri formam; sed luget Agenor, Amplexatur amans Minoę ad littora Cretę. / Filę licet nomen partis promitteret orbis. F.E.
Translation
H. Goltzius invenit. I. Matham sculpsit. Jupiter, having carried Europa across the azure sea, / Casts off the form of the Bull; but Agenor laments, The lover embraces her on the shores of Minoan Crete. / Though the daughter’s name promised a portion of the globe. F.E.
Ovid, Metamorphoses
The primary literary source for the narrative of Jupiter's transformation and the abduction of Europa.
Franco Estius
The author of the Latin verses at the bottom, who frequently provided humanist and moralizing captions for Goltzius's prints.
Object
Engraving
mythological
Digital Source
Wikimedia Commons · CC BY 4.0
http://hdl.handle.net/1887.1/item:1625616
Creative Commons Attribution 4.0
2480 × 3591 px
c785b58e00f0ec338ea8c450c8f26ae927ca0035
February 7, 2021
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.