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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileafter Hendrick Goltzius
Two figures dressed as hunters stand beneath a large tree, with Jupiter on the right leaning toward a hesitant Callisto. Although Jupiter appears in the form of Diana, his true identity is revealed by the eagle crouched at his feet. In the background, other members of Diana's chaste hunting party are seen moving through the hills with their hounds.
This work belongs to a series illustrating Ovid's Metamorphoses, which served as a primary source for Renaissance Neoplatonic allegories regarding the soul and divine intervention. In the intellectual circles of the Haarlem Mannerists, these myths were often interpreted through Carel van Mander's commentaries, which assigned moral and philosophical meanings to the transformations of the gods.
6 Nonacrina Iovem Calisto inflammat amore . Adgreditur castam callidus ille dolis . Dictynnam simulat, fucisq armatus opinis Menalys lucis in sua vota trahit .
Translation
6 Nonacrine Callisto inflames Jupiter with love. Cunningly he approaches the chaste maiden with deceit. Feigning Dictynna, and armed with deceptive wiles, He draws her into his desires in the Menalian groves.
Ovid
The engraving is an illustration of Book II of Ovid's Metamorphoses, the foundational text for Western myths of transformation.
Carel van Mander
Van Mander's 'Wtlegginghe op den Metamorphosis' provided the specific allegorical and Neoplatonic framework used by Goltzius and his contemporaries to interpret these scenes.
Object
National Gallery of Art, Washington
Engraving
mythological
Digital Source
Wikimedia Commons · Public domain
National Gallery Of Art
Public domain
3000 × 2112 px
2fd32fd73c7d4b9099b5a792333fd089ba22ed28
December 12, 2014
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.