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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileafter Hendrick Goltzius
A man in late 16th-century attire plays a lute while a woman follows along in a songbook, seated beneath a leafy tree. A winged Cupid is perched in the branches above, drawing his bow to strike the pair with the spark of love. The scene is set within a lush garden landscape, symbolizing the renewal of life and the pursuit of courtly love during the vernal season.
As part of a series on the Four Seasons, this engraving reflects the Renaissance interest in the correspondence between the natural cycles of the year and human temperament. The inclusion of music and Cupid links the work to Neo-Platonic concepts of cosmic harmony and the transformative power of Eros as a force of nature.
HGoltzius. inuent. 1 Humanas recreo mentes, volucresq[ue] ferasq[ue], Omnia Floriferi lętantur tempore Veris. C. Schoneus.
Translation
HGoltzius. inventor. 1 I refresh human minds, and birds, and wild beasts, All things rejoice in the time of flower-bearing Spring. C. Schoneus.
Marsilio Ficino
Ficino's Neo-Platonic theories on love (Eros) as a cosmic binding force and the role of music in achieving harmony are central to the allegorical program of Renaissance season cycles.
Object
Noord-Hollands Archief, Haarlem
Engraving
allegory
Digital Source
Wikimedia Commons · Public domain
https://hdl.handle.net/21.12102/7ba853ec-ed68-2c1e-e50f-4e8f4ce6ae55
Public domain
2481 × 3421 px
8fab0a09710c2e4a6256df3e21e84e46e794c3dc
April 22, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.