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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileThe scene depicts a man playing a lute and a woman holding a songbook, surrounded by symbols of earthly pleasure such as wine and fruit. Death appears as a grinning, decaying corpse directly behind the man, mimicking his musical performance. An hourglass rests on a stone ledge, emphasizing the inescapable passage of time and the fragility of life.
This work is a quintessential example of the Memento Mori tradition, warning the viewer of the vanity of earthly pleasures and the certainty of death. It reflects the humanist and philosophical preoccupations of late 16th-century Northern Europe, particularly the 'Ars Moriendi' (Art of Dying) which sought to prepare the soul for the afterlife through the contemplation of mortality.
HG Inuent Est huius vitæ fallax et vana voluptas, Mors inopina brevi, et quam quovis tempore tollit. C. Schoneus. Wy syn in vruecht dickmael gheseten de doot veel naerder dan wy weten
Translation
HG Inuent The pleasure of this life is deceitful and vain, Death is unexpected and brief, and takes one at any time. C. Schoneus. We are often seated in joy while death is much nearer than we know.
Cornelius Schonaeus
The Latin verse on the print was authored by this Haarlem humanist and playwright, a close associate of Goltzius.
Hans Holbein the Younger
Goltzius draws upon the iconographic tradition of the 'Dance of Death' established and popularized by Holbein's woodcut series.
Object
Rijksmuseum, Amsterdam
Engraving
allegory
Digital Source
Wikimedia Commons · CC0
http://hdl.handle.net/10934/RM0001.COLLECT.369937
Creative Commons Zero, Public Domain Dedication
2830 × 3630 px
c68ae52f69214fbac096869a1a15c360133faf5f
December 23, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.