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Wikimedia Commons · CC BY 4.0 · Hover to magnify, click for fullscreen
Original fileThe athletic figure of Apollo stands on the left, drawing his bow to fire an arrow at the mouth of a massive, coiled serpent. The monster, already pierced by several arrows, writhes on a rocky outcrop while a distant city and mountains appear in the background. The scene captures the physical tension of the archer and the dying struggles of the beast, highlighting the dramatic contrast between the divine figure and the earth-bound creature.
In the Renaissance and early modern period, the slaying of Python by Apollo was often interpreted as an allegory for the victory of light and reason over chaos and darkness. In the context of natural philosophy and Neoplatonism, it represented the solar spirit (Sol) purifying the 'prima materia' or dispelling the toxic vapors of the earth, a theme that would later be central to alchemical imagery.
Immensum certis strauit Pythona Sagittis Nec meruit minimum Cynthius arte decus, Latone matri monstrum Junonis ob iram Et terra infestum dum necat atq[ue] mari. 13. 43.
Translation
The Cynthian laid low the immense Python with unerring arrows, Nor did he earn the least glory for his skill, While he slew the monster sent by Juno’s wrath against his mother Latona, And a pest to both land and sea. 13. 43.
Ovid
This print is part of a series illustrating Ovid's Metamorphoses, specifically Book 1.
Michael Maier
Maier and other alchemical writers frequently used the slaying of the dragon/serpent as an allegory for the chemical process of fixation or purification.
Object
Engraving
mythological
Digital Source
Wikimedia Commons · CC BY 4.0
http://hdl.handle.net/1887.1/item:1629747
Creative Commons Attribution 4.0
1417 × 984 px
088b183439ea41d2ecfaad623574e7cab17e9682
February 2, 2021
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.