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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileThe scene depicts the peak of daily activity with a carpenter wielding a large saw and a woman focused on a textile pillow. In the background, workers are seen in the fields, while the upper right corner features the sun god Apollo in a horse-drawn chariot moving through the clouds. Curling wood shavings and detailed textures highlight the physical labor associated with the midday hour.
As part of a series on the 'Times of Day,' this print illustrates the Renaissance concept of the correspondence between the celestial macrocosm and the human microcosm. The presence of Apollo at the sun's zenith connects mundane human industry to the governing rhythms of natural philosophy and the influence of the planets on terrestrial life.
HG. Inue. 2 Opportuña dies operi, duroq́; labori est, Tunc desudando passim se quisq́; fatigat.
Translation
HG. Invented. 2 The day is favorable for work, and for hard labor, Then everyone exhausts himself by sweating all around.
Ovid
The depiction of Apollo (Phoebus) driving the chariot of the sun is derived from the solar mythology codified in the Metamorphoses.
Macrobius
His 'Saturnalia' describes the sun as the 'mens mundi' (mind of the world) that regulates the cycles of human toil and rest.
Object
National Gallery of Art, Washington
Engraving
allegory
Digital Source
Wikimedia Commons · CC0
This file was donated to Wikimedia Commons as part of a project by the National Gallery of Art. Please see the Gallery's Open Access Policy.
Creative Commons Zero, Public Domain Dedication
2832 × 4000 px
a713f9c90d625dc860277f8cf1d337b89107a973
August 28, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.