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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileIn the foreground, a woman prepares bread for two children carrying school tablets, while in the background, two men consult heavy volumes by candlelight at a desk. Two framed pictures on the wall illustrate the theme: one depicts the goddess Aurora personifying the dawn, and the other shows travelers on horseback beginning a journey. This engraving captures the transition from rest to the labor and learning that define the 'active life' of the Renaissance.
As part of 'The Four Times of Day' series, this work reflects the Renaissance interest in the correspondence between the macrocosm (celestial cycles) and the microcosm (human activities). It emphasizes the humanist value of early morning study and the disciplined regulation of life according to natural cycles, as dictated by the rising sun (Phoebus).
1. HG. Inue. I. Saenredã Sculp. Plena laboriferi curis pars prima diei est, Et nobis oritur cum sollicitudine Phoebus. C. Schonaeus
Translation
HG. Inv. I. Saenredam Sculp. The first part of the day is full of laborious cares, And Phoebus rises for us with anxiety. C. Schonaeus
Cornelius Schonaeus
Schonaeus, a prominent Dutch humanist, composed the Latin distichs at the bottom of the print that moralize the cycle of the day.
Object
National Gallery of Art, Washington
Engraving
allegory
Digital Source
Wikimedia Commons · CC0
This file was donated to Wikimedia Commons as part of a project by the National Gallery of Art. Please see the Gallery's Open Access Policy.
Creative Commons Zero, Public Domain Dedication
2849 × 4000 px
9e0b5612fc5064ae2b7cc143c405b51aa887ae5b
August 28, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.