This library is built in the open.
If you spot an error, have a suggestion, or just want to say hello — we’d love to hear from you.
Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThe sea god Neptune, holding his trident, lunges toward Coronis on a sandy beach while his sea-horse chariot waits in the surf. Coronis is captured mid-transformation, her arms sprouting dark feathers as she begins to take flight toward the clouds. In the background, several sailing vessels navigate the choppy waters near a craggy coastline.
As part of Goltzius's series illustrating Ovid's Metamorphoses, this work reflects the Renaissance obsession with the fluidity of form and the allegorical interpretation of myth. Within the Western esoteric tradition, Ovidian transformation was often viewed through a Neoplatonic lens as a metaphor for the soul's transition between different states of being or the hidden operations of nature.
Virgo Tridentifero placuit, sub littore visa, Basia et amplexus sed fugit illa Dei, Implorans Superos sublimis in aera fertur, Moxq[ue] recens cornix nubila summa petit. 13
Translation
The Trident-bearing God was pleased by the Maiden, seen upon the shore, But she fled the kisses and embraces of the God, Imploring the Gods above, she is borne high into the air, And soon, a fresh crow, she seeks the highest clouds.
Ovid
The engraving illustrates a specific narrative from Book II of Ovid's Metamorphoses, a foundational text for Renaissance mythological allegory.
Object
Engraving
mythological
Digital Source
Wikimedia Commons · Public domain
Image: http://collections.lacma.org/sites/default/files/remote_images/piction/ma-31885558-O3.jpg Gallery: http://collections.lacma.org/node/238091 archive copy at the Wayback Machine
Public domain
2100 × 1458 px
e5b5922fecd6c2a6888fc295431f3020e5424ea9
July 19, 2013
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.