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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileA powerfully muscled, bearded man sits astride a large aquatic creature with prominent gills and wide eyes. He holds a long staff or steering oar while his heavy cloak billows behind him like a sail, with smaller sea deities visible in the distant waves. This chiaroscuro woodcut uses tones of ochre and black to create a high-relief effect, typical of the late 16th-century style.
In the Renaissance Neoplatonic tradition, Oceanus represents the element of Water and the fluid 'prima materia' from which the physical world was formed. This print is part of a series on deities of the elements, reflecting the era's project of reconciling classical mythology with natural philosophy.
HG. F
Carel van Mander
Van Mander, a close associate of Goltzius, provided extensive Neoplatonic and moralizing interpretations of these mythological figures in his Schilder-boeck.
Macrobius
His Commentary on the Dream of Scipio was a primary source for the Renaissance understanding of Oceanus as a boundary between the material and celestial realms.
Object
The Metropolitan Museum of Art
Engraving
mythological
Digital Source
Wikimedia Commons · CC0
This file was donated to Wikimedia Commons as part of a project by the Metropolitan Museum of Art. See the Image and Data Resources Open Access Policy
Creative Commons Zero, Public Domain Dedication
6092 × 4394 px
ff51283361d285c42b17d11b7cd17a00c78664ab
July 11, 2017
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.