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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileBacchus is depicted as a muscular youth with an elaborate crown of grapes, holding a shallow drinking bowl toward the sky while looking downward with a slight smile. To his right, a young satyr or attendant clutches bunches of grapes, set against a backdrop of distant mountains. The composition is enclosed in an oval frame, with the corners of the print featuring satyr masks and ornate wine goblets.
This print belongs to a series illustrating the proverb 'Without Ceres and Bacchus, Venus freezes,' connecting physical sustenance to the power of love. In the late Renaissance Neoplatonic tradition, Bacchus also represented the 'divine madness' or Dionysian frenzy described by Marsilio Ficino as a necessary state for spiritual elevation.
HG Cornelio Cornelij Harlemæo Pictori egregio Xeniolj loco D.D. HGoltzius. Oblecto dulci mœrentia corda Lyæo, Osor tristitiæ, leticiæq; sator. C. Schonæus.
Translation
HG To Cornelis Cornelisz of Haarlem, An excellent painter, in place of a small gift, Dedicated by H. Goltzius. I delight mourning hearts with sweet wine, Hater of sadness, and sower of joy. C. Schonæus.
Marsilio Ficino
Ficino identified the Dionysian frenzy (represented by Bacchus) as one of the four divine manias that allow the soul to return to its divine origin.
Terence
The title refers to a line from Terence's play 'Eunuchus', which became a standard Renaissance trope for the interdependence of the gods of wine, grain, and love.
Object
Engraving
mythological
Digital Source
Wikimedia Commons · Public domain
[1]
Public domain
4408 × 6074 px
c2ebc952d6e26dfe6dc6a8e9df5c1ed2607cf2e8
September 20, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.