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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileafter Hendrick Goltzius
The soldier stands in a wide, heroic pose wearing a plumed hat, a stiff ruff, and a padded doublet. He holds a lit match cord for his firearm and is equipped with multiple powder flasks suspended from his belt. In the background, other soldiers are visible practicing military drills in an open landscape.
This print reflects the 16th-century fascination with the 'new invention' of portable firearms and the rising social status of the professional soldier. It is a prime example of Haarlem Mannerism, where technical military detail is elevated through extreme stylistic refinement and virtuoso engraving.
7. HG. excut. J. de gheyn sculp. Et genus, et mea me virtus terraq[ue] mariq[ue] Non imo patitur nomen habere loco.
Translation
7. H.G. excudit, J. de Gheyn sculpsit. Both my lineage and my virtue, by land and by sea, Do not suffer my name to hold a lowly place.
Jacques de Gheyn II
The engraver of this plate later produced 'The Exercise of Arms', a seminal manual that systematized military drills through the lens of early modern mechanics and observation.
Object
National Gallery of Art, Washington
Engraving
genre-scene
Digital Source
Wikimedia Commons · CC0
This file was donated to Wikimedia Commons as part of a project by the National Gallery of Art. Please see the Gallery's Open Access Policy.
Creative Commons Zero, Public Domain Dedication
2935 × 4000 px
54f485cf78d6dfbc79f14b55a69be6bdbecea8e3
September 9, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.