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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileafter Hendrick Goltzius
The soldier wears a plumed hat, a peascod-belly doublet, and a fur-lined cloak, presented in a heroic, dynamic pose. In the distance, a group of pikemen marches across a hill toward a town, while the foreground shows detailed botanical elements and rocky terrain. The engraving features the highly stylized, muscular aesthetic and intricate cross-hatching characteristic of late 16th-century Dutch printmaking.
This work is a primary example of the Haarlem Mannerist style, which emerged from the circle of Hendrick Goltzius and Karel van Mander. Their artistic 'Academy' in Haarlem was deeply influenced by Neoplatonic theories of the 'Idea'—the belief that the artist should represent a perfected, internal concept of form rather than a mere imitation of nature.
5. HG. fe. I. de gheyn sculp Dupla ego pro meritis mereor stipendia; nempe Insigni reliquis strenuitate prior.
Translation
5. HG. fecit. I. de Gheyn sculp. I deserve double pay for my merits; indeed, Surpassing the rest in distinguished bravery.
Karel van Mander
Van Mander was Goltzius's collaborator whose theoretical writings in the 'Schilder-boeck' provided the Neoplatonic framework for this style of idealized figure drawing.
Jacob de Gheyn II
The engraver of this plate, who later became a significant figure in the transition from Mannerist art to scientific and occult illustration.
Object
The Metropolitan Museum of Art
Engraving
genre-scene
Digital Source
Wikimedia Commons · CC0
This file was donated to Wikimedia Commons as part of a project by the Metropolitan Museum of Art. See the Image and Data Resources Open Access Policy
Creative Commons Zero, Public Domain Dedication
2650 × 3653 px
c54844a7e013163c273e01afdad2279b8eb87645
July 11, 2017
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.