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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileThe saint is shown with a thick, curled beard and muscular frame, leaning against a rocky outcrop. In his hands he holds a curved knife, the instrument of his martyrdom by being flayed alive. The background displays a rugged landscape with a distant castle, all rendered in a distinctive swelling line-work.
Part of a series linking the Twelve Apostles to the articles of the Apostles' Creed, this work demonstrates the Mannerist use of heightened anatomical expression to convey spiritual fervor. Goltzius was a central figure in the intellectual circles of the Netherlands and later the court of Rudolf II, where art, science, and the mystical frequently intersected.
Bartholomaeus HG VI. ASCENDIT AD CŒLOS, SEDET AD DEXTERAM DEI PATRIS OM- NIPOTENTIS. 6.
Translation
Bartholomew HG VI. HE ASCENDED INTO HEAVEN, SITTETH AT THE RIGHT HAND OF GOD THE FATHER ALMIGHTY. 6.
The Apostles' Creed
The engraving illustrates the sixth article of the Creed: 'He ascended into heaven, and sitteth on the right hand of God the Father Almighty.'
Object
The Metropolitan Museum of Art
Engraving
religious
Digital Source
Wikimedia Commons · CC0
This file was donated to Wikimedia Commons as part of a project by the Metropolitan Museum of Art. See the Image and Data Resources Open Access Policy
Creative Commons Zero, Public Domain Dedication
1681 × 2325 px
2c4b547bb98f29869ddb3da75e15bbc91559465a
July 11, 2017
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.