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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileAn officer is depicted in an exaggerated stance wearing a plumed hat, a large ruff, and elaborate slashed garments. Behind him, a troop of soldiers marches through a hilly landscape toward a distant town under a swirling, textured sky. The engraving utilizes dynamic, swelling lines to emphasize the physical power and confidence of the figure.
This work is a primary example of Haarlem Mannerism, a style that prioritized technical virtuosity and the idealized human form as a reflection of natural vitality. Within the intellectual circle of Goltzius and Karel van Mander, such 'heroic' depictions were linked to the concept of the artist's ability to improve upon nature through the 'idea' in the mind.
5. HG. fe. I. de gheyn sculp Dupla ego pro meritis mereor stipendia; nempe Insigni reliquis strennuitate prior.
Translation
5. HG. fecit, I. de Gheyn sculp. I deserve double pay for my merits; indeed, Surpassing the others in distinguished vigor.
Karel van Mander
Goltzius was a founding member of the Haarlem Academy with Van Mander, whose 'Schilder-boeck' provided the theoretical and quasi-philosophical basis for this style of heroic figuration.
Object
National Gallery of Art, Washington
Engraving
genre-scene
Digital Source
Wikimedia Commons · CC0
This file was donated to Wikimedia Commons as part of a project by the National Gallery of Art. Please see the Gallery's Open Access Policy.
Creative Commons Zero, Public Domain Dedication
2941 × 4000 px
5fde95acd85cc2cc10fbc2f09b2cfc33168a3f6f
September 9, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.