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Original fileThe figure stands in a strong contrapposto pose, shading her eyes with her right hand as she gazes upward toward the divine. A large anchor, the traditional symbol of steadfastness and expectation, rests on the ground behind her. The print demonstrates the exaggerated anatomical style of Haarlem Mannerism, using swelling lines to define the volume of the body.
In the Neoplatonic and Christian traditions of the Renaissance, the Virtues were seen as essential qualities for the purification of the soul and its eventual ascent to the divine. This personification reflects the philosophical concept of 'expectatio,' a meditative state of longing for higher truth that was central to both Hermetic and late-Renaissance mystical thought.
2 SPES. HG. 2
Translation
2 HOPE. HEG. (or HG.) 2
Cesare Ripa
His work Iconologia codifies the specific use of the anchor and the upward gaze as the standard attributes for the personification of Hope.
Marsilio Ficino
His Neoplatonic commentaries often discuss the theological virtues as necessary rungs in the ladder of the soul's return to the One.
Object
Rijksmuseum, Amsterdam
paper
height 211 mm x width 104 mm
allegory
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.