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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileChrist sits stoically in a stone courtyard as several men torment him, including a kneeling figure in the foreground who sticks out his tongue in derision. To the right, a man in an ornate cloak and turban-like hat observes the scene, while a massive stone archway in the background opens onto a distant city square. The scene is rendered with dense, precise line work and exaggerated physical gestures.
This work belongs to Goltzius's 'Passion' series, created in a style that emulates Albrecht Dürer to demonstrate artistic virtuosity for the intellectual circles of the Rudolfine court. The image reflects the Northern European tradition of 'Imitatio Christi,' where the viewer is encouraged to meditatively participate in the suffering of Christ.
Aº HG 97
Thomas à Kempis
His 'Imitation of Christ' provided the spiritual framework for the meditative focus on Christ's physical suffering seen in this series.
Karel van Mander
Goltzius's close associate whose 'Schilder-boeck' theorized the 'Protean' ability of artists to mimic various styles, as seen in this Dürer-inspired series.
Object
The Metropolitan Museum of Art
Engraving
religious
Digital Source
Wikimedia Commons · CC0
This file was donated to Wikimedia Commons as part of a project by the Metropolitan Museum of Art. See the Image and Data Resources Open Access Policy
Creative Commons Zero, Public Domain Dedication
2396 × 3490 px
6464c6327f0e3e618fc4eb56d086ea0dc4269095
July 11, 2017
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.