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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileThe figure of Saturn stands over a curved scythe, his traditional attribute as the god of time and the harvest. In the corners of the frame, the artist has included the zodiac signs Capricorn and Aquarius, which Saturn rules, along with agricultural tools like a flail and a winnowing basket. The central scene illustrates the myth of Cronus devouring his offspring to avoid being usurped, a theme often linked to the relentless consumption of all things by Time.
In the Renaissance, Saturn was a central figure in Neoplatonic thought and astrology, associated with the 'Greater Malefic' influence and the melancholic temperament. This imagery connects the destructive power of time to the alchemical lead and the contemplative life described by thinkers like Marsilio Ficino.
♄ Ao. 1597 Goltzius inven. Matham sculpsit. R. d. baud. exc.
Translation
♄ In the year 1597 Goltzius designed it. Matham engraved it. R. d. baud. published it.
Marsilio Ficino
In 'De vita libri tres', Ficino discusses Saturn's influence on the intellectual and melancholic soul, a key text for understanding Renaissance Saturnine imagery.
Object
The Metropolitan Museum of Art
Engraving
allegory
Digital Source
Wikimedia Commons · CC0
This file was donated to Wikimedia Commons as part of a project by the Metropolitan Museum of Art. See the Image and Data Resources Open Access Policy
Creative Commons Zero, Public Domain Dedication
1175 × 1690 px
4d309eebbaa72b9b0f893c04b675ff2da6927176
July 11, 2017
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.