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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileApollo stands prominently on the left as a muscular youth with a bow, gesturing toward the heavens, while Diana stands to the right with a crescent moon upon her head. Between them, a figure carries an hourglass on their head to represent the beginning of measured time, while a dark figure representing the night and stars follows behind Diana. The scene is set within a circular frame emerging from primordial clouds, capturing the moment light was divided into day and night.
This work reflects the Neoplatonic synthesis of biblical narrative and classical mythology, where planetary deities serve as the ordering principles of the cosmos. It illustrates the 'Great Chain of Being' and the Renaissance belief that the movements of the heavenly luminaries directly influence the sublunary world through astrological 'virtues.'
Dies IIII. HG. excud.
Translation
4th day. HG. cast (this).
Genesis 1:14-19
The engraving is a visual commentary on the biblical creation of the 'two great lights' to rule over day and night.
Marsilio Ficino
Ficino's Neoplatonic writings on the 'Sun' as a visible god and the 'Moon' as the intermediary of celestial influence provide the philosophical framework for these personifications.
Object
The Metropolitan Museum of Art
Engraving
allegory
Digital Source
Wikimedia Commons · CC0
This file was donated to Wikimedia Commons as part of a project by the Metropolitan Museum of Art. See the Image and Data Resources Open Access Policy
Creative Commons Zero, Public Domain Dedication
3551 × 3538 px
0923ca9d44b68d0eefc16b2aa7d84ee8039e66cb
July 11, 2017
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.