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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileA monumental Venus stands at the left holding a burning heart aloft, while the winged Cupid stands at her side with his bow and arrows. To the right, several couples in contemporary Dutch attire gaze toward the goddess, representing the submission of humanity to the power of love. In the sky above, a chariot drawn by birds carries the goddess across the heavens while a lush landscape stretches into the distance.
This engraving visualizes the Neoplatonic concept of Eros as a universal mediator, a theme central to the philosophical tradition which saw love as the binding force of the cosmos. By dressing the figures in contemporary fashion, Goltzius asserts that the ancient planetary influences of the gods continue to dictate human behavior and natural law.
HG. Inue. I.S. sculp. O Citherea, tuos placido nos respice vultu, Tuq[ue] Cupido puer: quorum vis magna supernos, Infernosq[ue] Deos, genus et mortale lacessit: Et quorum numen non ulla potentia vitat. C. Schonaeus.
Translation
HG. Inue. I.S. sculp. O Cytherea, look upon us with a placid countenance, And you, boy Cupid: whose great power provokes the heavenly, And the infernal Gods, and the mortal race: And whose divinity no power avoids. C. Schonaeus.
Marsilio Ficino
Ficino's 'De Amore' (Commentary on Plato's Symposium) provided the philosophical foundation for viewing Venus as a cosmic principle of beauty and generative love.
Object
National Gallery of Art, Washington
Engraving
mythological
Digital Source
Wikimedia Commons · CC0
This file was donated to Wikimedia Commons as part of a project by the National Gallery of Art. Please see the Gallery's Open Access Policy.
Creative Commons Zero, Public Domain Dedication
2935 × 4000 px
eb4b471fc88e09e437d6176f3e976c44af6d44a2
August 28, 2019
March 23, 2026
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.