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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThe painting depicts the Coronation of the Virgin set within a pointed Gothic arch and a richly patterned gold background. Christ and Mary are seated on a throne covered in ornate orange and black textile, while kneeling angels in colorful robes flank the central figures. In the upper gable, a figure of God the Father holds an open book displaying the Alpha and Omega symbols.
This work represents the culmination of the Virgin's life as the 'Queen of Heaven,' a theme that reflects the medieval and early Renaissance fascination with celestial hierarchies. In the context of Western mysticism, the scene evokes the 'hieros gamos' or sacred marriage between the soul and the divine, often described in the works of Bernard of Clairvaux and later adopted into Christian Neoplatonic thought.
A Ω
Translation
Alpha and Omega
Jacobus de Voragine
The 'Golden Legend' provides the primary hagiographic narrative for the Assumption and Coronation of the Virgin used by 14th-century artists.
Pseudo-Dionysius the Areopagite
The hierarchical arrangement of the figures and the emphasis on divine light (represented by the gold ground) reflect the 'Celestial Hierarchy' and the Neoplatonic light theology of Pseudo-Dionysius.
Dante Alighieri
The glorification of Mary in the Empyrean is the focal point of the final cantos of the Paradiso, echoing the visual structure of this altarpiece.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
Art UK
Public domain
943 × 1200 px
f0ece57744acd70c641e7b5997fa6cf78c2e2282
April 30, 2025
March 23, 2026
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.