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Wikimedia Commons · CC BY 4.0 · Hover to magnify, click for fullscreen
Original fileTwo central panels simulate tapestries hanging from the ceiling: the 'Council of the Gods' where Psyche's immortality is debated, and the 'Wedding Banquet' celebrating her union with Cupid. The surrounding triangular spandrels and pendentives depict individual episodes of Cupid's trials and various deities, all framed by dense, realistic garlands of fruits and vegetables. The figures inhabit a bright, open sky, creating an architectural illusion that the roof is open to the heavens.
This cycle serves as a Neoplatonic allegory for the soul's (Psyche) journey through suffering and trials to achieve divine union with love (Cupid). It reflects the early 16th-century Roman humanist interest in the 'prisca theologia', using classical pagan myth to illustrate philosophical truths about the immortality of the soul.
Apuleius
The narrative is based on the tale of Cupid and Psyche found in the 2nd-century Roman novel 'The Golden Ass' (Metamorphoses).
Marsilio Ficino
Ficino's Neoplatonic commentaries popularized the interpretation of the Psyche myth as an allegory for the human soul’s ascent to God.
Object
Oil on panel
mythological
Linked Data
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