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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThe drawings explore the anatomy and movement of celestial beings, with one figure pressing hands together in prayer while others twist through the air with broad wings. The artist uses soft hatching to define the musculature and the graceful, weightless quality of the figures. These studies were created to determine the poses of the angels inhabiting the upper celestial tier of the Vatican fresco.
This work is a fundamental component of the Stanza della Segnatura project, which sought to harmonize the realms of Revelation (the Disputa) and Reason (the School of Athens). The angelic figures represent the celestial hierarchy, a concept central to Neoplatonic Christian thought as articulated by thinkers like Dionysius the Areopagite.
P. & G. 31 RAPHAEL (RAFFAELLO SANTI)
Dionysius the Areopagite
His 'Celestial Hierarchy' provided the theological framework for the arrangement of the angelic orders in the Disputa fresco.
Marsilio Ficino
Ficino's Neoplatonic synthesis of Christian doctrine and Platonic philosophy informs the intellectual program of the Stanza della Segnatura.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
https://www.britishmuseum.org/collection/search?agent=Raphael&technique=drawn&view=grid&sort=object_name__asc&page=1
2500 × 1877 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.