This library is built in the open.
If you spot an error, have a suggestion, or just want to say hello — we’d love to hear from you.
Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThe figure is depicted with powerful wings and flowing drapery, capturing a sense of sudden motion. The angel’s right hand is raised with a pointed index finger, a gesture indicating the celestial source of its authority or message. Soft shading and fine lines in red chalk define the anatomy and the delicate features of the face.
In the Neoplatonic and Christian synthesis of the Renaissance, angels were viewed as mediators of divine light and intelligence, based on the hierarchies of Pseudo-Dionysius the Areopagite. This study for the Vatican Stanze reflects the High Renaissance effort to visualize the intersection of the material and spiritual realms.
Pseudo-Dionysius the Areopagite
His 'De Coelesti Hierarchia' provided the definitive Renaissance framework for understanding the nature and function of angels as divine intermediaries.
Marsilio Ficino
Ficino’s 'Theologia Platonica' discusses the role of celestial spirits and the soul's ascent toward the divine, ideas that informed the artistic programs of Raphael's time.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
https://collections.ashmolean.org/
800 × 1037 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.