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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileWithin a grand, vaulted temple, a celestial horseman in golden armor tramples the fallen Heliodorus, who has attempted to seize the temple's treasury. To the right, Pope Julius II is carried into the scene on a litter, appearing as a witness to the divine intervention. In the background, the High Priest Onias prays fervently before a seven-branched menorah at the altar.
This work represents the Renaissance synthesis of biblical history and contemporary Papal authority, emphasizing the sanctity of sacred space. The depiction of the Temple of Jerusalem and the Menorah connects to the broader Renaissance fascination with the 'prisca theologia' and the architectural symbolism of Solomon's Temple found in Neoplatonic and Kabbalistic thought.
Rafael d'Urbino Pinx. Carlo Maratti fecit
Translation
Raphael of Urbino painted [this]. Carlo Maratti made [this].
2 Maccabees
The primary biblical source text describing the divine expulsion of Heliodorus from the Temple treasury.
Marsilio Ficino
Raphael's work in the Vatican Stanze was deeply informed by the Neoplatonic intellectual climate established by Ficino, particularly the concept of divine providence acting in history.
Object
Fresco
religious
Digital Source
Wikimedia Commons · CC0
http://hdl.handle.net/10934/RM0001.COLLECT.587946
8720 × 5880 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.