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Wikimedia Commons · CC0 · Hover to magnify, click for fullscreen
Original fileThis drawing features five young children studied in different attitudes of movement and repose. One child kneels to read a book, another holds a bird on a perch, and a central figure sits with hands clasped as if in prayer near a tree. The artist uses delicate hatching to define the soft musculature and rounded forms characteristic of healthy infants.
Raphael’s studies of 'putti' reflect the Renaissance fascination with the 'spiritello'—the vital spirits described by Neoplatonists like Marsilio Ficino as the mediators between the physical body and the soul. In the philosophical climate of the early 1500s, these figures often symbolized the breath of life or the presence of divine eros within the material world.
D O R
Marsilio Ficino
Ficino's theories on 'spiritelli' or vital spirits provided the philosophical framework for the ubiquitous use of active, winged or unwinged infants in Renaissance art to represent life-force and psychic movement.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · CC0
This file was donated to Wikimedia Commons as part of a project by the Metropolitan Museum of Art. See the Image and Data Resources Open Access Policy
3138 × 4000 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.