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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileA young angel with long, curly auburn hair and a thin golden halo gazes upward with parted lips. The figure holds a curling paper scroll, known as a phylactery, which bears text related to the divine selection of a saint. This panel is one of the few surviving pieces of Raphael's first documented commission, the Baronci Altarpiece, which was damaged in an 18th-century earthquake.
The work illustrates the late medieval and early Renaissance concept of angelic mediation between the human and divine. The depiction of celestial messengers relates to the Neoplatonic recovery of Pseudo-Dionysius's 'Celestial Hierarchy,' a text influential to Renaissance thinkers like Marsilio Ficino who viewed angels as essential links in the Great Chain of Being.
NICOLA' VER' XP̃I PA A DEO ELECTVS
Translation
Nicholas, true [servant/pauper] of Christ Chosen by God
Pseudo-Dionysius the Areopagite
His treatise 'The Celestial Hierarchy' defined the angelic orders that Renaissance artists like Raphael visualized as mediators of divine will.
Marsilio Ficino
Ficino's Neoplatonic theology integrated the role of angels as spiritual intelligences that assist in the soul's ascent to God.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
Art Renewal Center
5529 × 7769 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.