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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThis drawing presents a delicate profile of a woman with her hair gathered in a bun, rendered with fine lines and subtle shading. To the right, a larger study focuses on the complex folds and weight of hanging fabric, likely for a sleeve or mantle. The work shows the artist's process of capturing naturalistic form and the play of light on different surfaces.
Raphael’s preparatory drawings are central to the Renaissance pursuit of 'ideal beauty,' a Neoplatonic concept where physical harmony reflects divine order. This study is linked to the frescoes of the Stanza della Segnatura, which represent the intellectual synthesis of classical philosophy and Christian theology.
Raffaele d'Urbino FR H de T STAT.
Translation
Raphael of Urbino
Marsilio Ficino
Raphael's artistic goal of depicting idealized human forms was deeply informed by Ficino’s Neoplatonic theories regarding the soul's expression through physical beauty.
Stanza della Segnatura
This drawing is a preparatory study for the figures in the Vatican's Stanze, which serve as a visual encyclopedia of Renaissance Neoplatonic and Hermetic thought.
Object
Oil on panel
portrait
Digital Source
Wikimedia Commons · Public domain
https://www.britishmuseum.org/collection/object/P_1947-1011-19
2500 × 1859 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.