Head of an Angel

The drawing depicts a youthful angelic face in three-quarter view, looking downward with a serene, contemplative expression. Delicate hatching and tonal shifts define the soft curls of the hair and the contours of the face, while pounced holes along the outlines show how the design was transferred to the final painting surface. A later handwritten attribution and a collector's stamp are visible at the bottom of the sheet.

This work represents the early Renaissance effort to visualize 'divine beauty,' a concept deeply rooted in the Neoplatonism of the era. According to thinkers like Marsilio Ficino, the harmony and grace of the human form served as a terrestrial reflection of celestial perfection, guiding the viewer's mind toward the divine.