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Original fileThe upper portion of the fresco shows an enthroned Christ surrounded by the Holy Spirit as a dove and six seated Benedictine and Camaldolese saints. Below, a row of six standing saints surrounds a central alcove that holds a sculpted terracotta statue of the Virgin and Child. The work is famous for being a collaborative effort, with the upper register completed by a young Raphael and the lower section finished years later by his teacher, Perugino.
This fresco represents a critical transition in Renaissance art, where the young Raphael began to move beyond the traditional Umbrian style toward the complex spatial logic of the High Renaissance. The semi-circular arrangement of the heavenly host prefigures Raphael's later masterpiece, the 'Disputation of the Holy Sacrament', reflecting Renaissance efforts to visualize divine harmony through sacred geometry and Neoplatonic ideals of cosmic order.
S MAVRVS S PLACIDVS S BENEDICTVS S ROMVALDVS S BENEDICTVS IOANNES S SCHOLASTICA S HIERONYMVS S IOANNES BAPT S GREGORIVS PAPA S BONIFACIVS S MARTHA RAPHAEL DE VRBINO ADHVC IVVENIS EST TATIS SVAE OCTAVO ET VIGESIMO ... MDV PETRVS DE CASTRO PLEBIS PERVSINVS TEMPORE DOMINI SILVESTRI STEPHANI ... MDXXI
Translation
Saint Maurus, Saint Placidus, Saint Benedict, Saint Romuald, Saint Benedict John. Saint Scholastica, Saint Jerome, Saint John the Baptist, Saint Gregory the Pope, Saint Boniface, Saint Martha. Raphael of Urbino [painted this] while still a youth, in the year 1505. Pietro of Città della Pieve [Perugino]... in the year 1521.
Marsilio Ficino
The hierarchical and symmetrical arrangement of the celestial and terrestrial figures reflects the Neoplatonic worldview popularized by Ficino, where the material world is structured as a mirror of the divine order.
Object
Oil on panel
religious
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.