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Wikimedia Commons · CC BY-SA 3.0 · Hover to magnify, click for fullscreen
Original fileThree haloed figures stand in a row against a soft blue sky, each clutching a bound book. From left to right, they are depicted in white, red, and blue garments, representing the monastic habit and ecclesiastical dignity. The scene is a detail from the upper register of a chapel fresco, characterized by the balanced and graceful forms of the High Renaissance.
This work marks Raphael's early development of theological hierarchies that he would later perfect in the Vatican's 'Disputa'. It reflects the Renaissance synthesis of Christian monastic tradition with the period's emerging Neoplatonic emphasis on order, harmony, and the transmission of sacred wisdom.
S MAVRVS S PLACIDVS M S BENEDICTVS RAPHAEL DE VRBINO DOMINO OCTAVI ANI PHANV VIGILIARVM PRIOR ISTAM TRINITATEM ANGELOS ASTANTES SANCTOSQVE PINXIT HIERONIMVS
Translation
Saint Maurus, Saint Placidus, Saint Benedict. Raphael of Urbino, while Octavianus Phanus was Prior of the Vigils, painted this Trinity, the attending angels, and the saints. Jerome [referring to the saint in the register below]
Saint Benedict of Nursia
The figures belong to the Benedictine order, whose Rule governed the monastic preservation of knowledge during the Middle Ages and Renaissance.
Raphael
This is an essential early work by Raphael before his Roman period, showing his mastery of the Umbrian style.
Object
Oil on panel
religious
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.