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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThis color plate depicts a salon-style arrangement of works by the High Renaissance master Raphael on a deep red wall above a marble wainscot. The display includes prominent works such as the Portrait of Baldassare Castiglione, the 'La Belle Jardinière' Madonna, and the mythological scene of Apollo and Marsyas. Two decorative columns with urn-like finials frame the central section of the gallery wall.
The works of Raphael represent the height of High Renaissance Neoplatonism, emphasizing harmony, divine proportion, and the synthesis of Christian theology with Classical philosophy. The presence of Baldassare Castiglione links the visual arts to the period's definitive text on courtly ethics and philosophical dialogue.
LES RAPHAËL DE LA GRANDE GALERIE En haut : Sainte Marguerite. — Saint Jean-Baptiste dans le désert. — Sainte Catherine d'Alexandrie (École de Raphaël). — Au dessous : Tête de Sainte Elisabeth. — Saint Sébastien, par un maître inconnu du début du XVIe siècle. — L'Abondance, d'après Raphaël. — La Vision d'Ezechiel, d'après Raphaël.— En bas : Portrait de jeune homme. — Portrait de deux hommes. — La Petite Sainte famille. — La Belle Jardinière. — Apollon et Marsyas. — Portrait de Balthazar Castiglione. — La Vierge au voile.
Translation
THE RAPHAELS OF THE GREAT GALLERY Top: Saint Margaret. — Saint John the Baptist in the desert. — Saint Catherine of Alexandria (School of Raphael). — Below: Head of Saint Elizabeth. — Saint Sebastian, by an unknown master from the beginning of the 16th century. — Abundance, after Raphael. — The Vision of Ezekiel, after Raphael.— Bottom: Portrait of a young man. — Portrait of two men. — The Little Holy Family. — La Belle Jardinière. — Apollo and Marsyas. — Portrait of Baldassare Castiglione. — The Virgin with the Veil.
Baldassare Castiglione
The image features the famous portrait of Castiglione, author of 'The Book of the Courtier', a central text of Renaissance social and Neoplatonic philosophy.
Marsilio Ficino
Raphael's aesthetic, particularly in mythological scenes like Apollo and Marsyas, is deeply influenced by Ficino's Neoplatonic revival.
Object
Oil on panel
architectural
Digital Source
Wikimedia Commons · Public domain
L'Illustration, 1929
2816 × 2112 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.