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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThe sitter is shown in a three-quarter view, wearing a voluminous white shirt and a dark, fur-lined mantle draped over his shoulder. He gazes directly at the viewer with a composed expression against the backdrop of an interior wall and a window looking out onto a landscape. The composition emphasizes the contrast between the soft textures of the hair and fur and the crisp linen of the shirt.
This portrait reflects the High Renaissance synthesis of physical beauty and inner nobility, central to the Neoplatonic thought prevalent in the Roman and Urbino courts. It embodies the concept of 'sprezzatura'—a graceful nonchalance—articulated by Baldassare Castiglione, a thinker whose work defines the philosophical ideal of the Renaissance man.
Baldassare Castiglione
The portrait is the visual archetype of the 'Courtier' and the Neoplatonic grace championed by Castiglione in 'Il Libro del Cortegiano'.
Marsilio Ficino
The work reflects the Neoplatonic theory that physical beauty is an outer manifestation of the soul's divine light, a concept popularized by Ficino.
Object
Oil on oak panel
Overall 15 3/4 x 11 3/8 in. (40 x 29 cm); painted surface 15 1/8 x 10 3/4 in. (38.3 x 27.3 cm)
portrait
Digital Source
Wikimedia Commons · Public domain
http://www.abc-people.com/data/rafael-santi/self_portrait-5.htm
444 × 532 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.