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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileMadonna and Child with the Infant Saint John title QS:P1476,en:"Madonna and Child with the Infant Saint John "label QS:Len,"Madonna and Child with the Infant Saint John "label QS:Ltr,"Esterhazy Meryemi"label QS:Lja,"エステルハージの聖母"label QS:Lfr,"La Madone Esterházy"label QS:Larz,"استرهازى مادونا"label QS:Lit,"Madonna Esterhazy"label QS:Lml,"എസ്റ്റെർഹസി മഡോണ"label QS:Laz,"Madonna Esterxazi"label QS:Lbr,"Madonna Esterhazy"label QS:Lhu,"Esterházy Madonna"label QS:Lsl,"Madonna Esterházy"label QS:Lde,"Madonna Esterházy"label QS:Lnl,"Esterhazy Madonna"
The Madonna is positioned centrally in a rocky outdoor setting, gazing down at the two infants. The infant Saint John kneels on the left, while Christ reaches out to him from his mother's lap. In the background, a landscape unfolds with Roman ruins visible against a clear sky.
This work embodies the High Renaissance search for ideal beauty as a reflection of divine order, a concept central to the Neoplatonic circles of Rome and Florence. The inclusion of classical ruins signifies the Renaissance effort to reconcile the pagan antique past with Christian revelation.
RAFFAELLO SANTI: ESTERHÁZY MADONNA 40f MAGYAR POSTA
Translation
RAFFAELLO SANTI: ESTERHÁZY MADONNA 40 fillér [Hungarian currency unit] HUNGARIAN POST
Marsilio Ficino
Raphael's idealized figures reflect the Neoplatonic concept of 'splendor divini vultus' (the splendor of the divine face) as described in Ficino's commentaries.
Object
Tempera and gold on wood
Overall, with engaged frame, 11 x 8 1/4 in. (27.9 x 21 cm); painted surface 9 3/8 x 6 1/2 in. (23.8 x 16.5 cm)
religious
Digital Source
Wikimedia Commons · Public domain
Scanned by Darjac
435 × 565 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.