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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThis preparatory study, executed in red chalk and wash, shows the Pope elevated above a group of attendants and ecclesiastical figures. The visible grid lines indicate that the drawing was designed for transfer to a larger scale, likely for the frescoes in the Vatican's Stanza di Costantino. The composition emphasizes the hierarchical structure of the Papal court and the public exercise of religious authority.
This work relates to the 'Donatio Constantini,' a foundational yet controversial document concerning the transfer of authority from the Roman Empire to the Papacy. Within the context of Raphael's Vatican commissions, it illustrates the Renaissance effort to harmonize the historical church with the classical past and the concept of the Holy Roman Empire.
Lorenzo Valla
Valla's famous philological critique 'De falso credita et ementita Constantini Donatione declamatio' challenged the historical legitimacy of the scene depicted here.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
https://www.gardnermuseum.org/experience/collection/10777#
2000 × 1985 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on March 31, 2026. Getty identifiers are AI-inferred and may require verification.