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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileApollo is shown seated on a throne holding his lyre while the satyr Marsyas kneels before him in a gesture of submission. On the far right, a river god reclines beside a flowing urn, while a goddess stands on the left. The scene is framed by decorative motifs below, featuring a small figure holding a leaf garland and two crested birds.
Renaissance Neoplatonists interpreted the contest between Apollo’s lyre and Marsyas’s pipes as the struggle between divine intellectual harmony and carnal, earthly passion. The eventual flaying of Marsyas was seen as a metaphor for the painful stripping away of the outer material self to reveal the inner spiritual essence.
Marsilio Ficino
Ficino's Neoplatonic theories on 'divine madness' and the hierarchy of the senses cast Apollo's music as the primary vehicle for the soul's return to the divine.
Pico della Mirandola
Pico interpreted the Apollo and Marsyas myth as an allegory for the purification of the soul through the shedding of the passions.
Object
Oil on panel
mythological
Digital Source
Wikimedia Commons · Public domain
https://gallerix.org/album/Rafael/pic/glrx-92115
4741 × 3289 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 1, 2026. Getty identifiers are AI-inferred and may require verification.