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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThis work is a preparatory study showing the face of a young woman looking downward with lowered eyelids and a serene expression. The artist used soft shading and subtle contours to define the features, capturing a moment of quiet contemplation. The paper shows visible signs of wear and age, consistent with its function as a working tool in a sixteenth-century studio.
Raphael's artistic process was deeply influenced by Neoplatonic thought, which sought to depict the 'Idea'—a perfect, divine form that transcends individual nature. His Madonnas were celebrated as the visual embodiment of this philosophical synthesis between Christian theology and the Platonic search for absolute beauty.
Marsilio Ficino
Raphael’s pursuit of an idealized 'Idea' of beauty in his female figures reflects Ficino's Neoplatonic theories regarding the reflection of divine harmony in physical proportions.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
http://www.smb-digital.de/
2964 × 3500 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on March 31, 2026. Getty identifiers are AI-inferred and may require verification.