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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThis study depicts the head of a young, winged celestial being with soft, rounded features and tightly curled hair. The artist uses delicate shading and rhythmic, circular strokes to define the volume of the forehead and the fleshy texture of the cheek. The downward gaze suggests a figure looking from a heavenly height toward a scene below, common in large-scale Renaissance frescoes.
In the Neoplatonic atmosphere of early 16th-century Rome, cherubim represented the order of angels associated with divine wisdom and the contemplation of the light of God. This drawing, dating to the period Raphael worked on the Vatican Stanze, reflects the Renaissance effort to visualize the celestial hierarchy as described by thinkers like Pseudo-Dionysius.
Pseudo-Dionysius the Areopagite
His 'De Coelesti Hierarchia' established the ninefold order of angels, placing cherubim as the second rank characterized by their fullness of knowledge.
Marsilio Ficino
Ficino's Neoplatonic synthesis often linked the beauty of angelic forms to the soul's intellectual ascent toward the divine.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
https://online-sammlung.hamburger-kunsthalle.de/de/suche?term=raffael
1602 × 2000 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on March 31, 2026. Getty identifiers are AI-inferred and may require verification.