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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThe drawing focuses on a central group where a muscular young man carries an elderly, frail man on his back, flanked by a young boy and a woman. To the right, another figure is depicted hanging from a high wall by his hands, illustrating the frantic escape from a disaster. This composition is a direct study or copy of the famous classical allusion found in Raphael's Vatican commissions.
The inclusion of Aeneas and Anchises in a Christian fresco reflects the Renaissance Humanist synthesis of classical myth and contemporary events. Specifically, it relates to the Neoplatonic interpretations of Virgil popularized by thinkers like Cristoforo Landino, who viewed Aeneas's flight as an allegory for the soul's liberation from the 'burning' world of the senses toward spiritual maturity.
Virgil
The figures depict the hero of the Aeneid during the fall of Troy.
Cristoforo Landino
Landino's 'Disputationes Camaldulenses' provided the influential Neoplatonic reading of this scene as a journey of the soul.
Object
Oil on panel
mythological
Digital Source
Wikimedia Commons · Public domain
https://online-sammlung.hamburger-kunsthalle.de/de/suche?term=raffael
1214 × 2000 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on March 31, 2026. Getty identifiers are AI-inferred and may require verification.