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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThis pen and wash drawing depicts the somber aftermath of the Trojan War, with Neoptolemus claiming his war prize amidst a crowd of soldiers. To the left, muscular figures are seen laboring near the hull of a ship, while the central group moves with a heavy, processional pace. The composition captures the transition from the chaos of battle to the structured tragedy of enslavement.
The Trojan cycle was a cornerstone of the Renaissance humanist curriculum, serving as a primary source for exploring classical virtue, the wheel of fortune, and the historical origins of European civilization. In the Neoplatonic tradition, the fall of Troy was occasionally interpreted as an allegory for the soul's descent into the material world or the destruction of the lower senses.
Rafael d'Urbino 21422
Translation
Raphael of Urbino
Virgil
The Aeneid provides the primary literary account of the sack of Troy and the distribution of the Trojan women as captives.
Seneca the Younger
His tragedy 'The Trojan Women' focuses on the fate of Andromache and other royal women after the city's fall.
Object
Oil on panel
mythological
Digital Source
Wikimedia Commons · Public domain
https://online-sammlung.hamburger-kunsthalle.de/de/suche?term=raffael
2000 × 1336 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.