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Wikimedia Commons · Public domain · Hover to magnify, click for fullscreen
Original fileThis drawing depicts a man's head in a three-quarter view, looking downward with a pensive or troubled expression. His features are rendered with soft tonal gradations, capturing the texture of his curly hair and beard against the play of light. The sheet served as an auxiliary cartoon, a full-scale study used to refine precise details before they were painted onto the final wooden panel.
As a study for 'The Transfiguration', this work participates in the Renaissance exploration of the relationship between the physical world and divine revelation. The painting for which this was made is frequently interpreted through a Neoplatonic lens, contrasting the radiant, ascending Christ with the darkened, chaotic realm of the apostles who remain in the world of shadows.
Marsilio Ficino
Raphael's late religious works, particularly 'The Transfiguration', reflect Neoplatonic ideas of spiritual ascent and the hierarchy of light popularized by Ficino.
Object
Oil on panel
religious
Digital Source
Wikimedia Commons · Public domain
https://www.sothebys.com/en/auctions/ecatalogue/2012/old-master-british-paintings-evening-l12036/lot.52.html
2880 × 3818 px
Linked Data
AI AI-cataloged fields generated by gemini-3-flash-preview on April 2, 2026. Getty identifiers are AI-inferred and may require verification.